Xerrox, Vol.5 – alva noto
The final chapter in Carsten Nicolai’s pentalogy, that started in 2007, is filled with slow strings, twinkling melodies, and gentle, granular mist
The final chapter in Carsten Nicolai’s pentalogy, that started in 2007, is filled with slow strings, twinkling melodies, and gentle, granular mist
As a new father, Benjamin Tennikoff found himself having to be awake in the wee hours of the night/morning. To keep awake he started recording, which lead to this short film recorded on MiniDV featuring music he composed using a Roland Juno-6 recorded to an old Tascam 414 that he slowed down.
Cassette release by electronic musician and Eurorack maker Tony Rolando, imagine a dolphin... explores what it would sound if you put water in your synth. Well, he didn’t literally put water in his synth, but various samples of water sounds were run through Rolando’s modular synthesizer to help guide the compositional process. Shortly after the recording, Hurricane Helene devastated Asheville, NC, home to Rolando and Make Noise, his company. All proceeds of the albume will benefit Lamplight AVL: lamplightavl.org.
J. T. Boogaard and R. M. van der Meulen almost scrapped the sequel to PLACE, their first collaboration. Like the sequels of Hollywood many times do, their work felt rehashed and forced (to them), so they shelved it, but they didn’t give up on it. After some time and tweaking, they ended uip with PLACE II.
I was eager for the release of Bibio’s follow-up to 2017’s PHANTOM BRICKWORKS, as the pre-release singles were one better than the other. A man of many hats, this collection of 10 tracks sees Stephen James Wilkinson exploring sites that are haunted by “human echos”, and exploring his ambient side
Since 2011, Blake Lee has been most known for being the guitarist and a music director for Lana Del Rey, but he makes ambient/drone music too! This solo album is released on OFNOT, which is run by KMRU who appears on two of the tracks.
Malibu and Merely have joined forces for their debut collaborative full-length. The tracks to me sound like slick techno tracks that have been stripped of their heavy percussive and lower register elements, and what you’re left with is an ethereal sheen.
Interestingly released right after the 2024 US Presidential elections, the ideas for Irisarri’s latest LP started germinating in 2016 at a diner in Milan named “il Mito Americano”, or “The American Dream”, but literally translates to “The American myth”. The anticipated album was inspired by the false fronts of Potemkin villages, which Irissari sees as a sort of an analogue to the cruel illusion of ‘freedom’ crafted by the American elites.
A surprise collab between two of the most lauded non-dance electronic artists, Forever Held is an emotional and cinematic string piece that simultaneously sounds at home in both Jon Hopkins’ and Ólafur Arnalds’ repertoire.
A project started in 2006, Sleep Deprivation looks at how the lack of sleep (from gigging and traveling) affects every aspect of life, and sleep’s influence on the The Black Dog’s creative process.
A name that references the reference of the ambient genre, with Music for Bus Stations Rod Modell wants you to be transported in a dimension where sound turns into background noise, and functionally, to be soothing music when waiting for the bus.
Joseph Kamaru’s releases on Seil Records are some of the more melodic of his repertoire. Melody is crossed with static, drone, and rhythm to create captivating landscapes that are at once natural and alien.
On his second EP exploring Brian Eno’s ambient music, Bruce Brubaker used a Steinway concert grand piano with electromagnetic bows to create sustained drone textures.
The second single from Bibio’s upcoming PHANTOM BRICKWORKS (LP II) that releases November 22, 2024. Based on the sounds of the two singles, the follow-up to 2017’s PHANTOM BRICKWORKS is going to be a great release.
The first single and first track off of Bibio’s upcoming PHANTOM BRICKWORKS (LP II), DINORWIC is decidedly more ambient than the sunlight-infused guitar-laden folktronica of his latest offerings. This longform track is lo-fi and muffled yet reverberated, like listening to subtle ringing guitar plucks and a soft choir behind an obstruction from the other end of a large church.
A Music From Memory release compiled by Eiji Taniguchi and the late MFM cofounder Jamie Tiller, Virtual Dreams II explores the Japanese ambient tracks that frequented the “club chillout” rooms of the 90s.
A monthly post dedicated to (what I think are) great music videos. When I was a kid, music videos were important, or at least they seemed to be a more sacred thread in the cultural fabric. Whole TV networks were dedicated to music videos, and even the TV networks that weren’t seemed have at least one weekly show dedicated them. It’s odd that in this day and age where videos with music in them are all the rage and are creating scrolling zombies out of our mobile phone-equipped selves, traditional music videos don’t really get mentioned too often.
This month’s theme is artist names featuring abbreviations.
It kind of made me think that almost every movie in the late 80’s/early 90’s featured folks in some job in a big corporate office that made them miserable. Great concept, great execution, great choreography, and an interesting future prog R&B meets Eurodance with a dash of Björk.
This video is bonkers. There’s so much happening, and all those things happening are from some surrealist fever dream. It was also filmed in Ukraine!
I really like this new track by Irisarri. It goes real low, real crunchy, and real wide. It’s the first track off of his upcoming LP, FAÇADISMS, releasing November 8th, 2024. It features Julia Kent on cello and Hannah Elizabeth Cox on vocals.
‘IV’ is the penultimate movement from Cortini’s Nati Infiniti, a 40-minute piece based on an immersive audio installation that he created for the Sónar Lisboa festival in 2022 presented at the Museu de Lisboa’s Moagem.
New Aphex Twin! Well, not really, but this is the first time it is officially on streaming. Selected Ambient Works Volume II (Expanded Edtion) will be out October 4th in various formats via Warp.
The Japanese vibraphonist and marimba player was inspired to create this new solo album by his return to his native Japan with his family in 2020, after 13 years of living in Berlin, fulfilling his dream of living and composing music in the midst of nature.
KMRU created the original Temporary Stored as a response to gaining access to the Royal Museum of Central Africa in Tervuren, Belgium, and reckoned with the collective inheritance of colonial (sound) archives. Temporary Stored II extends the original album by inviting other artists (Aho Ssan, Lamin Fofana, Nyokabi Kariũki and Jessica Ekomane) to draw upon their listening experiences of museum archives holding recordings of African songs, traditions and practices.
Will Long, AKA Celer, has released an excerpt from his upcoming October 18, 2024 release.
William Basinski has announced a tour, a new archival album and has shared the song above from the album. The Fall ’24 tour dates are in the USA and one in Canada (Vancouver BC). The upcoming LP is named September 23rd and will arrive on September 27. It is the first record in a new series Basinski is calling Arcadia Archive, an ongoing archival collection dedicated to the discovery and recovery of his work.
A 6-track mini-album mainly composed and performed by Seefeel’s core duo of Mark Clifford and Sarah Peacock. Their last EP, Reduct, dates from 2021.
Inspired by the ancient Greek theory of the “four humors,” LA composer Matt Hill’s Black Bile is the perfect album to fully adopt your end-of-summer melancholy.